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Living dead descend upon downtown

Published: Wednesday, May 27, 2009

Updated: Wednesday, May 27, 2009 17:05

zombie

Ashley Inguanta

zombie 2

Ashley Inguanta

Last Saturday, the dead formed a bloody parade, marching through downtown Orlando's streets with one thing in mind: brains.

"Originally in the first 3 years, [the Zombie March] was a semi-political protest against the lack of brains in our government, local, city and state," said Robert A. Sandler, a regular participant and this year's event organizer. "Because who knows more about brains than zombies? But now that Bush is out of office, we're kind of just happy."

A self-proclaimed, hardcore zombie fanatic, Sandler set up the march's Facebook group and recruited many new participants.
 

Orlando is one of many locations around the world that holds a zombie walk. However, many other places wait until Halloween, Sandler said.
 

"Most zombie marches are nonprotests, just fun for the sake of zombies," Sandler said.
 

Now, that's what Orlando's zombie march is focused on: fun.
 

"It's just done for fun, a fun mock-protest for brains," Bart Jones, the original organizer, said.
 

Jones paraded the streets dressed in jail attire, bloody teeth and grainy green skin, peeling off to reveal layers of raw flesh.  He hovered over a street-sign and moaned. The other zombies flooded the streets around him, grunting and stomping.
 

Jones, a graduate of Purdue University, started The Orlando Zombie Walk in 2006 when he saw Orlando's Rocky Horror Cast, The Rich Weirdoes, performing.   He asked them to participate in this event and bring zombies to Central Florida. They agreed, and that's how it all began.
 

However, Jones moved to Virginia and gave Sandler the most leadership responsibility. "Jones is still our [group's] brains, so to speak," Sandler said. "He will still come down for the marches, which is very cool."
 

Michael Erwin, 22, is part of the Rich Weirdoes' cast and marches every year.  "I'm just a big horror movie fan," he said. "When I heard the Rocky Horror cast was involved, I just did it."
 

Erwin wore an old T-shirt and jeans, ripped to shreds and soaked in fake blood. "Cutting out ugly clothes [is how] I get my frustrations out on bad fashion," he said. "My underwear is my favorite part of the costume," he said as he exposed the blood-soaked material.
Before invading Lake Eola, about 50 zombies swarmed the streets of Winter Park near Rollins College earlier that afternoon.  Marching that day in Lake Eola were five survivors and ghost busters to keep the zombies in line, zombie dogs and even a zombie baby.  Li Jones, who graduated UCF in 2006 with a psychology degree, was the zombie mommy.
 

"Mommy's a theater nerd and we like to play dress up," Jones said, holding her 3-and-a-half-month-old son Tristan.  "This is our first zombie march."
 

Jones and her son had veins bulging from their foreheads and blood dripping from their mouths.  She held Tristan close and he scrunched his nose and squinted his eyes.  "Apparently he is a very angry zombie baby," Jones said.
 

Jenna Hellmuth, a fine arts student at Valencia, became fascinated with zombies three years ago when she got involved with the Rich Weirdoes' cast. She walked with a drag in her step and heavy strides.  Her upper body hung limply, back hunched, arms dangling. 

Blood dripped from her mouth; her shadowy eyes stared with determination.
 

"The reactions are the best part," Hellmuth said. "I had a family yell at me real bad, but when they get it, it's good, especially when you get a screamer."
 

Jessi Riese, a senior theater major at UCF, agreed. "When you get genuine fear from someone, that's the best part," she said.
 

With a confident, upright stride, Riese raised her eyebrow, exposed her gashed neck, and glared at passers-by. Stitches lined the skin below her yellow lips.
 

Don Dang, 25, saw the zombies when he came to Lake Eola after dinner for a stroll with his fiancee.
 

"There was this guy covered in blood in a jail suit, and I was freaked out," he said.  "But then I was more intrigued."
 

One woman, Jeanie Hamilton of Cocoa, stopped her car mid-street to watch the zombies.
 

"What's going on?" she said.  "Why is everyone all dressed?" Then after a few seconds passed, she said, "Everyone looks great!"
 

The zombies stared at her.  Some broke character to explain the march, but most kept their gaze. One of those zombies clutched a blood-soaked floral-patterned dress pierced by a death ray; Itzel Rolan found costume inspiration from the Web-released musical, Dr. Horrible.  "The main character kills his love interest, Penny," she said, pointing to her name tag.
 

"I put my heart and soul into the march," Sandler said.  "Now it's just a regular, just for fun thing.  We just dress up as zombies and stir up the people."

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6 comments

jessica
Fri May 29 2009 16:17
we were told that the pictures she took would be up on the ucf future site, but there are only 10...where are the rest?
Bart Jones
Thu May 28 2009 21:30
It was never intended to be Anti-Bush or anti-Anything. I wish people would stop trying to label the art.

-Bart Jones (founder)

Christine
Thu May 28 2009 19:07
It was a great march and I was glad to be a part of it! :)
jessica
Thu May 28 2009 18:34
where are the rest of the pictures?
Charlie Reis
Wed May 27 2009 18:46
This is the second part, if anyone's interested:

9. If you don’t follow all the above rules you will get many many lashes of electrical wire.
10. If you disobey any points of my regulations you must get either ten lashes or five shocks of electrical discharge.

They don’t say if you get to choose between lashes or shocks on menu number ten. I believe the question itself would get your order supersized. In any event, you’re not allowed to have any braaaains. Even if our ontological situation, that of living in time, dictates our experience is incomplete and that we will suffer, we can do something instead of nothing. In other words, even if you’re a zombie, be your own fiend.

The Incredible Hulk is slave to his rage. Bruce Banner doesn’t want to hurt anybody. It is only after some is warned, “Angry? You wouldn’t like me when I’m angry,” that most traces of rationality become engulfed by rage. He also turns green. You can’t really know yourself all that well anyway, so make sure your engulfment doesn’t turn you into a rage monster. Remember that charming scarecrow who hung out with Dorothy? He only wanted a brain.

The same can be said for Col. Harold E. Fischer, Jr. who died on April 30, 2009 in Las Vegas. Col. Fischer was tortured in a Chinese prison in 1953 and forced to confess to participating in germ warfare. His May 8, 2009 NY Times obituary quotes, “I will regret what I did in that cell the rest of my life. But let me say this: it was not really me – not Harold E. Fischer – who signed that paper. It was a mentality reduced to putty.” This is why we don’t torture people, why we don’t reduce humans to shadows, and why we use zombies to tell stories of our pain.

You’re One of Us, You’re One of Us

If we have first and third person zombies, what about second? The essence of tribalism is belonging, us-being-together. People all over the world get together for zombiecons, flash-mob-like parties where the living, which is synonymous with undead, get together to have fun pretending they’re zombies. Other people watch traffic at NASCAR rallies, buy Kate Spade bags, or attend klan meetings. (Has anyone noticed that the klan can’t even spell clan.) Environmentalism and recycling are popular now. Composting is the recycling of organic material to grow something new. Are you a part of that tribe? Making zombies, like teaching about being green, is earth-friendly. Why poison the ground with people’s remains?

A second person zombie is a member of a tribe that rejects the living world for that of the undead, and they haven’t even been promised a specific number of virgins. Zombies are fun, profane and often sexy. Vampirella, call me; I’m full of blood.

So what’s with all the brain-devouring, blood-splattered fiends? Zombie stories are our stories and that’s why they’re human.

Charlie Reis
Wed May 27 2009 18:43
What We Talk About When We Talk About Zombies:An Introduction to Zombie Theory Charlie ReisBoricua CollegeBrooklyn, New York “Hacked Road Signs Warn of Zombie Apocalypse.” Archive Nerdvana, February 15, 2009 “Why do I have to choose between heaven and hell… when there are so many others places I can to go?” The Imaginary Boys Chapter One: Crossroads “Move Over, Jane Austin. Now Lincoln Meets the Vampires.” NYT, April 14, 2009 You Look Terrible As a culture, even a global one, we have spent much time and energy telling one another zombie stories. One thing our stories do is to tell us about ourselves. So what’s with all the brain-devouring, blood-splattered fiends? No one outside of philosophy classes and relationships actually gives any credence to the problem of other minds. It’s an artificial problem in the way that a robot is an artificial worker. Make that robot out of flesh and you have a zombie. In ‘reality’ a zombie is someone with reduced neurological function. It is a body without a mind. The US Army labels those that score the lowest on intelligence tests as goons; the second lowest scorers are labeled zombies. The nature of our experience of the world only reveals an intimacy with the thoughts that we each individually have. So the opposing world, that which isn’t us or I, is an aggregation of things, not minds. I’m writing this because I want it to be published and read. I believe in other minds; my act of writing (unless I’m a scribble zombie) presupposes that. Writing and publishing, two things people do in the world, are hard. Doing anything in the world seems hard. The world isn’t you. It doesn’t care about you. Most jobs in the world rely on structures which keep bodies docile and minds inactive. The world, particularly the world of work, wants you to be a fleshy robot. It wants to bite and infect you, to eat your brain, to remorselessly consume your humanity. More, your humanity itself will consume you. The Ancient Greeks summed up the totality of life through their alphabet, that’s why we have the expression ‘the alpha to the omega.’ In English, this is ‘from a to z.’ The arc which is a human life begins at birth and ceaselessly, mindlessly, marches towards death. We all go from Point A to Point Zombie. I’m sorry to be so gloomy, but the nature of time is inescapable. No one has not died. No one will not die. (You too, Dick Cheney.) The metaphysical position we’re in dictates this. As the world churns up difference at an increasingly alarming rate, it is less of a home for us. It is a home for zombies. Are you late for work or has the virus of telecommuting invaded your home? In literature or grammar, the world is an it, an other, something which is described in the third person. Zombies oppose humans, which is the main reason zombie stories are so useful to us today. They are stories of loss, loneliness and confusion. They describe our experience living with H1N1, AIDS, Kim Jung Il, Blackwater Security (now rebranded as Xe,) Facebook, twitter and the all idiots we all deal with all day, every day. Enter Emily Emily the Strange, like Betty Boop before her, doesn’t mind the darkness. She knows that strange is not a crime. She doesn’t care if she’s a zombie. Characters like Emily reject the logic foist upon them and do what they like. (Recall that hirsute, drooling men continually chased Betty, and that she often escaped by dancing away and disappearing into an inkwell.) Emily is a more modern iteration of the notion that young girls have inherent worth and dignity. You disagree, get lost. William James famously said that the problem of free will and determinism is pointless because even if we’re always already determined, we have to act as if we had free will. To be or not to be all that you can be means you first have to enlist, then suffer the slings and arrows of basic training. Emily and Betty are what I call first person zombies. They embrace a logic of darkness, rather than stand under the identificatory glare of the adult world. I myself feel empathy to these characters when I think about that which dehumanizes and controls: police, clergy, most bosses, homeland security, Dostoevskian clerks or my sister. Security Regulations at Tol Sleng Prison, Phenom Phen, Cambodia 1. You must answer accordingly to my questions. Don’t turn them away. 2. Don’t try to hide facts by making pretexts, this and that, you are strictly prohibited to contest me. 3. Don’t be a fool, for you are a chap who dared to thwart the revolution. 4. You must immediately answer my questions without wasting time to reflect. 5. Don’t tell me either about your immoralities or the essence of the revolution. 6. While getting lashes or electrification you must no cry at all. 7. Do nothing sit still and wait for my orders if there is no order, keep quiet. When I ask you to do something you must do it right away without protesting. 8. Don’t make pretexts about Kampuchea in order to hide your jaw of traitor....






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